Capstone: Accounting (spring)
In this management consultancy course, students apply in a comprehensive manner analytical skills and accounting knowledge acquired during their studies to solve real-life assignments in their case companies.
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When you graduate from the School of Business, you become an alum of both the School of Business and Aalto University. Our alumni are all those who have a degree from Aalto University or from its predecessor universities, including Aalto University Executive Education Programs, or who have completed exchange studies at Aalto University or its predecessors. Welcome to our alumni community!
THE ANTHROBSCENE – Media and the Environment course exhibition
The Fall 2020 ‘The Anthrobscene’ Exhibition features critical artworks by masters students as final outcomes of the Media and Environment Course at the Department of Media, Aalto University School of Arts, Design and Architecture.
TEE 2020 – Aalto SCI programme vision
Based on the results from the self-evaluation and the peer review, the programmes have written a short vision for the programme.
TEE 2020 – Aalto ENG programme vision
Based on the results from the self-evaluation and the peer review, the programmes have written a short vision for the programme.
TEE 2020 – Aalto ELEC programme vision
Based on the results from the self-evaluation and the peer review, the programmes have written a short vision for the programme.
TEE 2020 – Aalto CHEM programme vision
Based on the results from the self-evaluation and the peer review, the programmes have written a short vision for the programme.
TEE 2020 – Aalto BIZ programme vision
Based on the results from the self-evaluation and the peer review, the programmes have written a short vision for the programme.
TEE 2020 – Aalto ARTS programme vision
Based on the results from the self-evaluation and the peer review, the programmes have written a short vision for the programme.
Programme vision – TEE 2020
Based on the results from the self-evaluation and the peer review, the programmes have written a short vision for the programmes.
Sketchbooks – A Comparative Analysis of the Use of Sketchbooks by Contemporary Artists, 2013-2015 by Elisa Alaluusua
These videos are part of Sketchbooks Installation based on my PhD research: 'Sketchbooks – A Comparative Analysis of the Use of Sketchbooks by Contemporary Artists' (Chelsea College of Art, University of the Arts London). The total number of videos in this installation is thirteen and each configuration is site-specific allowing maximum flexibility. A selection of three videos is presented as part of the VII Art of Research Conference exhibition in December 2020.
More information can be found on my website: ealaluusua.co.uk
by Elisa Alaluusua
Kitchen Lab: Deep Fry Together (ISEA2010 Catalogue), 2020 by Andrew Gryf Paterson
This short video clip (44 secs) is brief documentation from a performative event titled 'Deep Fry Together', involving deep fat frying of vegetables and an ISEA 2010 catalogue on the steps of the artist-researcher's home steps in Helsinki, recorded with wide-angle head-mounted camera. This combination of edible and non-edible artefacts was shared with recent collaborators in social media considers how we remember the work done in the past, in relation to contemporary 'kitchen lab' practices.
Digital video, 44 seconds
by Andrew Gryf Paterson
Traces from the Anthropocene: Working with Soil, 2019 by Riikka Latva-Somppi
This project was carried out by artist-researchers of the Department of Design at the Aalto University in cooperation with soil contamination experts from the Finnish Environment Institute (SYKE).
Sulfuric Tunic, 2020 by Holly McQuillan, Kathryn Walters & Karin Peterson
The Sulfuric Tunic, part of the Critical Textile Topologies X Planet City project, is a multimorphic textile-form, produced through whole-garment weaving. It embodies experimental design research that explores reversed crafting, zero-waste systems thinking, and complex textile behaviour. Its design incorporates notions of hyper-local manufacturing and circularity in a positive future-making context. Critical Textile Topologies is a collective of designer-researchers exploring new design expressions, processes and methods for critical understandings of textile-forms through questioning what materials, textiles, and form are.
1: Sulfuric Tunic development - Crafting form; 3D scan; Flattening through paper models and digital tools.
2: Sulfuric Tunic development - Modelling shrinkage and form; Map of Bindings; Layer intersection in weave binding; Full-scale mould.
3: Sulfuric Tunic - cutting and forming (2020).
4: Sulfuric Tunic - shrinking on the mould (2020). [VIDEO, 00:21]
5: Sulfuric Tunic (2020).
by Holly McQuillan, Kathryn Walters & Karin Peterson
Dis/abling Enunciations I-III, 2019-2020 by Timothy J. Smith
Dis/abling Enunciations is an ongoing artistic research inquiry into my embodied experience with disability, time, and duration. My embodiment of ‘crip time’ is one that is intimately familiar with the always unpredictable process of artmaking that often involve lumbering and staggering experiences of expanded and contracted time frames as a painting unfolds. These artistic endeavors into crip time serves as unique experiences of knowledge-making that flows new insights into my academic research and engagement in critical methodologies and disability justice.
Dis/abling Enunciations I, 2019
100x100cm, Acrylic and ground fluoxetine on linen;
Dis/abling Enunciations II, 2020
100x100cm, Acrylic and ground clonazepam on linen;
Dis/abling Enunciations III, 2020
100x100cm, Acrylic and ground amphetamine salts on linen
by Timothy J. Smith
Ruinenlust: Lasnamägi, 2020 by Britta Benno
"When he woke up from sleep, he discovered to have transformed into a giant dinosaur of the future, that had so far been unknown. One could glimpse watery cubes scattered on the dome landscape behind the fog. These were, by chance, the well-preserved ruins of prefab houses in what was once called Lasnamäe.
Worlding Lasnamäe in ruins, overtaken by non-human fauna, puppet-film becomes an extension of my prints, staging a layered scenario with nostalgic connotation of baroque music.
Music: G. T. Telemann - Harpsichord Concerto in B Minor TWV 33:A1, Adagio.â€
"Ruinenlust: Lasnamägi", 2020, 2:02´, puppet animation. / "Ruinenlust: Lasnamägi I-VIII", 2020
Different sizes, etching
by Britta Benno
Explorer's Light Space in Mojave Desert, 2019 by Barbro Scholz
"Now I am here. All by myself? This is my space.
Light is strong, it is going to keep the wild animals away. Cactus looks soft in warm light. Light shapes the body, the body shapes the light. Light shapes the space. The body shapes the light space.
Sunset Blvd, LA
Anyone sees me, before I see anyone.
Light is here to destroy places. To destroy minimum of privacy.
What does my light space do? Are you shelter or threat?â€
60 x40x 3cm, Textile Wearables
by Barbro Scholz
We Cannot Take Them All, 2019 by Terhi Marttila
We-cannot-take-them-all is a browser-based, conceptual artwork about attitudes towards migrants. Select a country to listen to what people from that country think about migrants. Upon trying out a few countries, the user cannot avoid to notice that they are being exposed to a mantra which always begins with these three sentences: What is happening to the others is too bad, but it's not our fault. We cannot take them all. We have our own problems.
Flowers, 2020 by Hanna-Kaisa Korolainen
"Flowers" rya rug was inspired by Andy Warhol's artwork of the same name (1964). As basis of his silkscreen work, Warhol used Patricia Caulfield's original photographs of hibiscus blossoms (1964). "Flowers" has been hand-tufted in soft mohair, and then brushed open, which creates an effect of an expressionist painting, where colours mix with each other. Rug is warm and furry, almost 3-dimensional, and it could be compared to a soft sculpture or painting.
180cm x 180cm x 3cm, rya rug
Plenary Beauty, 2019 by Benedetta Crippa
A short video with sound, result of Benedetta Crippa’s practice-led investigations on visual sustainability; an interpolation of experimental 3D-fractals speculating on the future of beauty.
Video
2:25min